Last week's vintage treasures

I've been lucky enough to have my bud Rachel as the designated thrifting road star while my husband and I looked for a car. The past two treks out to the burbs have been profitable for both of us - I'll let her tell you about her vintage medical canisters. Here are some of the goods I picked up. In a later post I'll show you the goods I had to leave behind as, unfortunately, my shop is still imaginary.

© stacy reynaud

As shown: signed Jere inspired iron wall sculpture vintage anglepoise 75 table lamp old growth stump table with iron base faux broadtail shrug vintage Tony Lama boots Thanks again Rachellita!

Looking into your home

image © Leonard Frank

Long before the popularity of peering into the homes of artists, designers, musicians and other creatives became an online sensation (see Art Studio or The Selby), Alfred Hitchcock presented us with a mid century marvel entitled Rear Window (1954). Pick it up, the homes the photographer peers into are marvelous. There's just something about looking into another's home that's fascinating.

image © Leonard Frank

If I had the opportunity to shoot someone's home for this site it would be this one, Maison Guiette, belonging to a Belgian fashion designer whom shall remain nameless. The closest I can get to the Le Corbusier designed home right now is through photos of a model shown on Mini Modern.

image © Mini Modern

I know I take Charles Shultz's words to heart.

Decorate your home. It gives the illusion that your life is more interesting than it really is.

Give me a tour of your home! Drop me a line.

Quote of the Week: Bonnie Cashin

Chic is where you find it. Bonnie Cashin

Vintage Design Lover - Achille Castiglioni 1974

Castiglioni ceiling bulbs circa 1974

Each one is unique and slightly irregular, Castiglioni's hand-blown bulb lights glow like candles, making you even more beautiful than you already are. Try Flos for something similar.

Vintage Bill Blass

Bill Blass
1970

Don't Sacrifice Your Image for a Bargain

The fabulous Vintage Vogue boutique in Calistoga, CA

Don't buy much, but make sure what you buy is good. 

Christian Dior

I'd be lying if I said I wasn't going to put together some new outfits for Fall. 

Living in a climate with only two seasons—the cold ones—my Fall wardrobe is pretty much worn year-round.

As someone who's made a living buying and selling vintage clothes, accessories, and footwear, there are certain mantras I live by. It's one thing to put together a collection for a show, but it's a whole other story to put together a collection for myself.

If you're going to shop the bargains, and by bargains I'm including thrifting, make sure the piece fits. 

• Don't be like me and try it on over your clothes. 
• Go in the fitting room and be natural. 
• Put your belt on and keys in your pocket, sit down and cross your legs. 
• Is it tight in the butt or thighs? 
• Button up and walk around. 
• Does it cut up under your arms, show off those private bits, pull across the chest? 
• Put a sweater on under that jacket or coat and raise your arms to see if it's comfortable in motion. 
• Stand in your natural stance, which I've noticed is air guitar for quite a few people. 
• Do you feel like you?

When you've finished with the physical part run these words through your head:

• Debt is not cool.
• Cash is the new credit.
• Need not want
• No acrylic
• Black
• There's a reason it's on sale.
• Regret
  
• Walk away
  

Why I'm Boycotting the September Fashion Issues

My first September edition 

Vogue 1982

from my personal collection

I'm not buying one September issue this year. I'm boycotting. I bought my first September issue in 1982. 

I didn't know what kind of magazine I was buying as I was eleven years old. I simply bought it for the Marilyn Monroe article as I was a star struck young fan. 

Over the past twenty seven years I don't know how many September issues of various fashion magazines I've bought but it's been many. What I do know is that over this lifetime of buying those issues I've been increasingly suckered in to buying 90% advertisements. Sure, there were ads in the '82 issues but nowhere near as many that there are in my '08 issues. Of course, I definitely agree, that you wouldn't exist if you didn't have advertisers but there's a fine line that's drawn that some of us like to refer to as quality over quantity. If one of the editors of the world's most popular fashion magazine has to go on television touting how great the September issue is and why I should buy it the first thing I think is trouble is brewing at head office. Advertisers pay premium dollar for spreads in this issue. Publishers want you to buy this ad heavy issue simply for their stats. These stats are then shown to advertisers as a sales tactic to increase potential ad revenue and garner top dollar for premium spots for particular months. Hold your head high but don't take your readers for granted we can see right through it.

Quote of the Week - Norman Mailer

Charm gives life.
Norman Mailer

How to Wallpaper with Newspaper

Tilley making sure the table is sturdy.

Actually, the end of the month is a great time to get great finds for free. Last weekend we decided to try out an idea we have for a coffee table. We grabbed this trashed side table, raided the free newspapers, picked up some sponge brushes at the dollar store and invested in some polymer medium at our favourite art store. Total cost $14.50.

Stacy Reynaud

How to wallpaper with newspapers and other stuff.

Materials:

* glossy polymer medium

* sponge brush

* scissors

* your selection of papers

* (optional) shiny water-based polyurethane (clear or tinted)

* paintbrush

The polyurethane can be omitted. However, it gives a glossy protective coating.

If you decide to use polyurethane, make sure it's water-based, or it will smear and ruin the print. Also, the picture from the other side will show through.

The polymer medium can be used as an undercoat and as a final coat.

1. Cut the strips of paper you want to use and turn them face down on a work surface.

2. Apply polymer medium with a sponge brush to the surface. Do only a small section because it dries quickly.

3. Place the strips of paper on the wet surface and press down.

4. Coat it lightly with the medium; if foam forms on the paper, it will not dry clear.

5. Continue to cover the surface this way; overlap the edges and corners as you continue to make the collage.

6. Rinse the sponge brush thoroughly so you can reuse it at another time.

7. Once both sides have a coating of the polymer medium applied to them, they are sealed, and regular water-based polyurethane varnish can be applied on top. The polymer medium is used as a gluing agent as well as a sealer for the paper.

8. (optional) With a paintbrush, coat all surfaces with glossy water-based polyurethane. This gives the paper a hard protective finish. It takes 24 hours to dry and must be painted on evenly in one direction.

9. If you decided to omit the polyurethane finish, the surface will require several polymer medium coats to give it a final finish. This dries within fifteen to twenty minutes. The finish will not be as smooth as the polyurethane. It will turn white if anything wet touches it for a prolonged period. Other than that, the finish is exceptionally durable.